It is the birthday of the man who inspired the word "beatnik" in the 1950s: poet Bob Kaufman (books by this author), born Robert Garnell Kaufman, in New Orleans, Louisiana (1925). Kaufman's mother was a Roman Catholic woman from Martinique who loved to play the piano and buy books at auctions. His father was a German Jew; "my Negro suit has Jew stripes," Kaufman often said of his lineage. Details of his life are hazy because he didn't keep a diary or leave behind any letters, and while he completed three volumes of poetry, he preferred to recite his poems in coffee houses rather than write them down.
As a teenager, he joined the Merchant Marine. In his 20 years as a sailor, he circled the globe nine times and survived four shipwrecks. On his first ship, the Henry Gibbons, he became friends with the first mate, who lent him books and encouraged him to read.
It was at sea when he first read about the Beat poets, many of whom also had maritime ambitions. Gary Snyder wanted to experience the culture in port cities around the world, and he worked as a seaman during the summer of 1948 and again in the mid-1950s. When Jack Kerouac, as a freshman at Columbia, failed chemistry and lost his scholarship, he joined the Merchant Marine to make money to re-enroll. Allen Ginsberg was suspended from Columbia for fighting with his dormitory housekeeper, and he followed Kerouac into the Merchant Marine. (Ginsberg tried marijuana for the first time on his maiden voyage.) When he was 22, Lawrence Ferlinghetti fell in love with the sea when he lived on the Maine coast for a summer and worked scraping moss off rocks. After the attack on Pearl Harbor, he enrolled in Midshipmen's School and was deployed at different lighthouses and naval watch posts throughout World War II.
When Kaufman was back on land, he studied briefly at the New School in New York City, where he met William S. Burroughs and Ginsberg. The three eventually moved to San Francisco and joined Gregory Corso, Kerouac, and Ferlinghetti to form the heart of the Beat movement.
Improvisational jazz influenced Kaufman's street performances and earned him the nickname "The Original Bebop Man," but it also earned him the attention of local police. In 1959, he was tossed into jail 39 times for disorderly conduct. San Francisco Chronicle columnist Herb Caen said he had Kaufman's spontaneous oral poetry in mind when he created the word "beatnik."
Later, Kaufman cofounded Beatitude magazine, which helped launch the careers of many other poets, but he continued to live a mostly itinerant life, filled with drugs, a stint at Bellevue Hospital, where he underwent electroshock treatments, and continued police harassment. By the mid '60s, he had published two volumes of poetry — Solitudes Crowded with Loneliness (1965) and Golden Sardine (1967) — and in the early '80s, his friends gathered old recordings and notes and had them published as The Ancient Rain: Poems 1958 - 1978 (1981).
When President Kennedy was shot in 1963, Kaufman took a vow of silence and didn't speak again until he walked into a coffee shop in 1975 and recited his poem, "All Those Ships that Never Sailed." He said:
All those ships that never sailed
The ones with their seacocks open
That were scuttled in their stalls ...
Today I bring them back
Huge and transitory
And let them sail
Forever.
His wife encouraged Kaufman to write down his many poems, but he wished to stay hidden from history.
He said, "I want to be anonymous. My ambition is to be completely forgotten."
Monday, April 18, 2011
Monday, April 4, 2011
Neglected
Neglected By, Molly Mellott
A shriek of agony,
Heard but not seen
A cry for help,
Ripping at the seams
"The Ugly" is like her disease
Scoffed and smirked at
By plastic royalty
There's a light within her naive heart
Few who see it
But she still yearns to be noticed
Neglected for life
Only a mirror image matters
Shipped off on her own
Known as an outsider
A shriek of agony,
Heard but not seen
A cry for help,
Ripping at the seams
"The Ugly" is like her disease
Scoffed and smirked at
By plastic royalty
There's a light within her naive heart
Few who see it
But she still yearns to be noticed
Neglected for life
Only a mirror image matters
Shipped off on her own
Known as an outsider
Friday, April 1, 2011
KEROUAC'S HAIKU EXPERIMENTS
(Maybe this form will appeal to some of you. M )
Some Haikus by Jack Kerouac in which he opened up the genre and made a traditional Japanese form uniquely American.
Then I'll invent
The American Haiku type:
...
Seventeen syllables?
No, as I say, American Pops:--
Simple 3-line poems
The windmills of
Oklahoma look
In every direction
*
Useless! useless!
--heavy rain driving
Into the sea
*
Straining at the padlock,
the garage doors
At noon
*
The tree
looks like a dog
Barking at heaven
*
Crossing the football field,
coming home from work,
The lonely businessman
*
On Desolation
I was the alonest man
In the world
(Desolation is a mountain)
Some Haikus by Jack Kerouac in which he opened up the genre and made a traditional Japanese form uniquely American.
Then I'll invent
The American Haiku type:
...
Seventeen syllables?
No, as I say, American Pops:--
Simple 3-line poems
The windmills of
Oklahoma look
In every direction
*
Useless! useless!
--heavy rain driving
Into the sea
*
Straining at the padlock,
the garage doors
At noon
*
The tree
looks like a dog
Barking at heaven
*
Crossing the football field,
coming home from work,
The lonely businessman
*
On Desolation
I was the alonest man
In the world
(Desolation is a mountain)
WHY THE FOUNDING FATHERS USED LATIN
Check it out, you Latin-lovers!
http://www.wondersandmarvels.com/2011/03/why-the-founding-fathers-used-latin.html
http://www.wondersandmarvels.com/2011/03/why-the-founding-fathers-used-latin.html
Three Poems
Hi Everyone! Here are drafts of poems by Rachel, Cody and Lucas. Would you please respond by telling them which phrases/lines you like best...which ones really move you.
CRIMSON (Rachel)
The air is heavy with musk
That deep sensual scent that wraps around
your mind and chokes away sanity
It smothers the smell of sweat and cheap perfume
As he tries to wipe the crimson from his
starched white collar
He throws some lifeblood in red light's direction
He's there staring in the scarlet mirror
Wiping at the collar
So he doesn't see red light drink his life blood
So he doesn't feel
Anything
When she tells another man to bleed for her
And he'll taste her crimson
THE OUTSIDER (Lucas)
One step taken toward the face of the earth.
Walk alone to no more fears without their worth.
My path, my life, should I approach the end,
or stay firm and die trying for what I defend.
No vales that call the sign of hope,
no hand extended to help me climb this rope.
Every day is never changing from the rest,
different from these norms as I shall always protest.
Without there being such to show me the light,
all I do is strive spiritually to search through this fight.
Determined to achieve PURSUIT OF A POWERFUL PERSISTENCE,
it's clear what's shown from my concrete ideals for resistance.
Am I truly just another outsider,
or am I just reaching out alone to something higher?
WHAT SHE DOES (Cody)
she sits alone,
because she has no-one to talk to
she speaks to herself,
only so somebody will listen
she's surrounded by nothing,
because that's all she's ever asked for
and she doesn't love,
because drugs make that easier
she relies on no-one,
because she's unreliable
and she believes in nothing,
because there's nothing to believe in
she doesn't live,
because that's easy
but she doesn't die,
because she lacks the conscience
she does what she does
because SHE is nothing
CRIMSON (Rachel)
The air is heavy with musk
That deep sensual scent that wraps around
your mind and chokes away sanity
It smothers the smell of sweat and cheap perfume
As he tries to wipe the crimson from his
starched white collar
He throws some lifeblood in red light's direction
He's there staring in the scarlet mirror
Wiping at the collar
So he doesn't see red light drink his life blood
So he doesn't feel
Anything
When she tells another man to bleed for her
And he'll taste her crimson
THE OUTSIDER (Lucas)
One step taken toward the face of the earth.
Walk alone to no more fears without their worth.
My path, my life, should I approach the end,
or stay firm and die trying for what I defend.
No vales that call the sign of hope,
no hand extended to help me climb this rope.
Every day is never changing from the rest,
different from these norms as I shall always protest.
Without there being such to show me the light,
all I do is strive spiritually to search through this fight.
Determined to achieve PURSUIT OF A POWERFUL PERSISTENCE,
it's clear what's shown from my concrete ideals for resistance.
Am I truly just another outsider,
or am I just reaching out alone to something higher?
WHAT SHE DOES (Cody)
she sits alone,
because she has no-one to talk to
she speaks to herself,
only so somebody will listen
she's surrounded by nothing,
because that's all she's ever asked for
and she doesn't love,
because drugs make that easier
she relies on no-one,
because she's unreliable
and she believes in nothing,
because there's nothing to believe in
she doesn't live,
because that's easy
but she doesn't die,
because she lacks the conscience
she does what she does
because SHE is nothing
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